

Lou Donaldson - Blowing in the Wind - Cadet LP 789 - Cadet pressing, original pressing
Lou Donaldson - Alto Saxophone
Herman Foster - Piano
Sam Jones - Bass
Leo Morris - Drums
Richard Landrum - Conga Drums
Recorded - August 1966, RCA Custom Studios, NYC (
No exact date listed on sleeve; August 30 according to Donaldson Discography)
Album Production & Supervision - Esmond Edwards
Engineer: Ray Hall
Cover Art: Judith Friedman
Cover Design: Tom Gormon
Released: June 24, 1967 (Approx)
Well, it's almost the weekend and it's time once again for posting another Argo/Cadet rarity - this time a particularly elusive side by Lou Donaldson on Cadet. My original posting of Lou's Cole Slaw last year remains the most popular posting/download on the blog ever,
so this posting should be warmly received, I guess. Fantastic stuff from 'Sweet Lou' as ever, with good support from Herman Foster on Piano and Sam Jones on bass. Side begins off kilter with an odd Bob Dylan (!) cover (the title track), but then settles in nicely for a nice soul jazz groove. This side came out on a Japan only CD a decade ago, but has never received any kind of domestic reissue. Good fidelity; a nice restoration from only a good condition vinyl which only cost me 4.99!
Another AMG review (Jason Ankeny) Blowing in the Wind is perhaps the most curious and oddly compelling of the dates Lou Donaldson cut for Cadet during his mid-'60s exile from the Blue Note stable -- a mish-mash of contemporary pop hits, stage favorites, and standards all packaged in a bizarrely Picasso-like cover, the record's inconsistencies and contradictions make for an experience that's unique even in the context of Donaldson's erratic and eclectic oeuvre. The rollicking and buoyant reading of the
Bob Dylan perennial which lends the set its title is completely wide of the mark -- Donaldson's arrangement is so upbeat and feather light, it's as if he never even glanced at the song's original lyrics, yet at the same time the groove is genuinely funky, and it's arguably the record's most truly soulful moment. A close second is the Donaldson original "The Wheeler-Dealer," which benefits from
Sam Jones' "Duke of Earl"-inspired bass and its composer's blistering alto leads; although an ill-conceived rendition of "Hello Dolly" is forced and insipid, the group redeems itself with the lovely "Relaxin' in Blue," a 12-bar blues notable for the grace and restraint of its solos.
Get it